A small community station runs a studio with a mixing desk, microphones, computers and a playout system, plus a studio to transmitter link and the transmitter itself, often on a hill. The studio loads are small. A low-power community transmitter is modest too. Together they are well within 15 kW, though a larger transmitter site would need its own assessment.
Dead air is the worst sound in radio. With the battery and hybrid inverter in UPS mode, the switch-over is instant, so the playout computer does not reboot and the presenter does not lose the microphone mid sentence. The fuel cell then runs from stored hydrogen, with no generator noise bleeding into an open microphone.
If the transmitter sits on a separate hilltop site, that site needs its own backup. The same system type could serve it, or a smaller battery may be enough depending on the transmitter's power. The pilot would look at both ends of the chain.
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Hydrogen stored at 30 bar or less keeps for weeks without losing charge, so a station can carry on broadcasting through a long outage with no fuel runs. It charges on off-peak power, wind or micro-hydro. Round trip efficiency is 30% or less, so it is standby power. For a station that becomes a district's lifeline, that trade is easy to justify.
If the transmitter is at the studio, yes, within 15 kW. If it is on a separate hilltop, that site needs its own supply. A small transmitter might only need a battery; a larger one could suit a system of its own.
No. The battery and inverter run in UPS mode, so the switch-over is instant. Studio equipment and the playout system keep running without a reboot, and listeners should hear nothing unusual.
There is no engine, so nothing rumbles through the walls. Fans and pumps hum quietly, and the unit would be sited outside, away from the studio's microphones, in a ventilated enclosure.
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